Sunday, August 26, 2012

Weblog 1


Lawence Lessig's Free Culture raises some interesting points about copyright, public domain and creative changes vs. plagiarism.  Lessig references Walt Disney as the face of modern adaption; citing his obvious copy of Steamboat Bill, Jr. as well as the rest of the fairy tales he converted from dark stories to one’s full of magic, mystery and happy endings.  Copyright law has always been difficult to sum up in just a few words; with the vast number of exceptions, loopholes and uncertainties, it comes down to those who study the law to enforce it.  The first copyright laws date back to 17th Century Britain, just after the invention of the printing press and the beginning of widespread distribution of reading material.  At that time copyright law only applied to the written word because that was the main medium of communication and art had yet to hit mainstream status.  The renaissance inevitably had a huge impact on copyright law, with the introduction of art as wealth, music, poetry and drama as a means of income and the general increase in knowledge, possession of such media needed to be heavily guarded.  Authors associated with such works wanted their work to remain unchanged, undamaged and only used at their discretion for good reason; art became part of the social norm.  As time went on, information spread and control became necessary.  Copyright law was originally designed to prevent an individual from taking possession of the work of another and claiming it as his own.  But when original ideas become more and more scarce, it is only inevitable that the human population must look at what they already have and change it, rather than trying to start something from scratch.  Adaption is necessary for progression.  One point that was brought up in class alluded to remixed songs.  So many great songs originated from completely different songs.  One of my absolute favorite songs is “Little Boxes” by Malvina Reynolds.  “Little Boxes” has been remade literally dozens of times, each with a new twist on the beat, background music and melody, allowing each new artist to contribute something new.  If copyright laws prevented any sort of adaption, so much of what we see as “original” would cease to exist.  When it comes to bit for bit copies of media, copyright law should be used to stop profitable distribution but without Creative Commons and the public domain, newness would be much slower to take hold.  The rapid progress that Western society has seen in the last 100 years would slow tremendously and life as we know it would regress to a state of “pre-enlightenment”.

1 comment:

  1. Technical issues...This is my third time writing this comment.
    What caught my attention in your blog post was the idea/circumstances surrounding the idea of DJ's and their remixes. I understand the idea of copyrights and why artists want credit and entitlement to their work; however, as you said it is becoming more and more difficult to come up with a stimulating original idea.

    I came across an article written by Zohar Efroni, he said: "As to the first argument, it escapes me why the fact that a law cannot be enforced (because it too expensive, too complicated, or practical impossible)- makes it a good law. Maybe the opposite is true. Perhaps the fact that so much uncontrolled, unlicensed and illegal activity is happening should help to recognize that the law, in its present form, does not pass the most important test. You can call it the reality test."

    I think this reality test is an interesting concept, because our generation has developed its own culture through digital means. We create and use digital art, digital media, and digital songs. The digital world has sped up the process of sharing work far past the speed of the printing press. New concepts on ever evolving ideas are continuously sprouting up all around the world due to the Internet.

    Here is a question that rises in my mind, when a person writes or designs or performs something then it automatically is receives a copyright to protect the artist, what happens when a DJ performs live and is remixing songs he's purchased? Is he creating a copyright, but also breaking one as well?

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